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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hurtado Galeano, Deicy Patricia; Tabares Ochoa, Catalina María;

    RESUMEN: Parece ser ya un rasgo normal del sistema político colombiano que sus actores protagónicos —gobernantes, congresistas, miembros de partidos políticos y élites económicas— tejan imbricadas relaciones con las distintas mafias, entre ellas las contra-estatales y las paraestatales, que controlan no sólo el negocio de las drogas y las armas, sino el de las mercancías que inundan los mercados formales e informales de nuestras ciudades, los juegos de azar y contratos de prestación de servicios de muy diversa índole, entre los cuales el del transporte es el más evidente, pero no el único. Tanto se han normalizado este tipo de relaciones, que gran parte de los colombianos ha asumido que “así funciona la política”, aunque otros se sienten hastiados con las innumerables piezas periodísticas sobre la “Yidis-política” y las notarías, sobre las visitas indebidas de emisarios de la mafia al Palacio de Nariño, sobre las relaciones de un jefe seccional de fiscalía con la mafia, sobre los dineros de Agro Ingreso Seguro para financiar proyectos de personajes procesados por su vinculación con negocios ilícitos, sobre los crípticos sistemas de contratación entre Estado y empresas privadas. Y se sienten hastiados, no precisamente porque lo consideren repugnante o inmoral; bien lo expresó una vez un ciudadano de a pie cuando dijo: “hasta la sopa del almuerzo los noticieros nos condimentan con una historia que sabemos hace tiempo: que los gobernantes y los políticos están untados hasta el tuétano con los negocios de la mafia”, y agregaba: “¿y nos van a seguir martillando con el asunto?”

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Estrada Vila, Maria Cecilia;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ MiCISANarrow_drop_down
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    MiCISAN
    Master thesis . 2004
    License: CC BY NC ND
    Data sources: MiCISAN
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      MiCISAN
      Master thesis . 2004
      License: CC BY NC ND
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Orrego Arismendi, Juan Carlos;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gómez-Rodríguez, Julia V.;

    Esta investigación tiene como centro a las víctimas de muerte violenta o ejecución como consecuencia de la guerra contra el narcotráfico en México. En específico está enfocada en el análisis de la forma en que se ha representado la violencia de la ejecución en crónicas periodísticas recopiladas en libros y publicadas entre 2007 y 2017. Lo anterior se inserta en el marco de los estudios que abordan el periodismo mexicano y las implicaciones de reportar la guerra y sus víctimas. La perspectiva teórica de esta investigación parte de la propuesta de Raymond Williams (2006, 2009 & 2011), que da cuenta de los procesos comunicativos y culturales de creación de realidad por medio de formas culturales creadas por periodistas, que de acuerdo con la propuesta de Barbie Zelizer (1993), forman comunidades interpretativas que comparten discursos y textos que dan forma a eventos clave en el mundo. Por último, se toma la propuesta de Judith Butler (2006, 2009 & 2010), sobre la violencia que deviene de la vulnerabilidad ante la representación de las víctimas, a partir de marcos narrativos que otorgan o niegan su humanidad. Metodológicamente, se presenta un análisis narrativo que, a la luz del marco teórico, combina las propuestas de Kitch (2003 & 2007) y Foss (2017). Como resultado se plantea una transformación en la representación de la violencia de las ejecuciones con la propuesta y descripción de cuatro etapas que caracterizan las narrativas en las crónicas entre 2007 y 2017. Consejo Nacional de Ciencia y Tecnología

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Salazar Sánchez, Karla; Madrigal Herrera, Magdalena;

    Ponencia presentada como investigación base para el SEXTO NFORME ESTADO DE LA REGION EN DESARROLLO HUMANO SOSTENIBLE (2021) Capítulo 11: Dinámicas territoriales de la violencia homicida

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositorio CONARE -...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositorio CONARE -...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Atehortúa Cruz, Adolfo León; Rojas Rivera, Diana Marcela;

    El contenido del presente artículo cubre las primeras décadas del tráfico ilícito de drogas emprendido desde Colombia hacia Estados Unidos. Su singularidad estriba en el análisis de los mecanismos empleados por los actores en examen (los pioneros y los grandes capos), para responder a los desafíos planteados por su actividad ilícita y a la persecución en contra de ella.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Prado-Pérez, Ruth E.;

    En el contexto de inseguridad y violencia que trajo consigo la guerra contra el narcotráfico comenzada por el ex presidente Felipe Calderón a inicios del 2006, los medios no se han limitado a informar ni a ser una vía de comunicación entre las partes involucradas, sino que, en su interacción, han jugado un papel en el conflicto mismo. Este artículo explora cómo ha sido la relación de los medios con los actores del conflicto en México y se cuestiona sobre si hubo una cobertura desproporcionada de la violencia y esto creó la imagen de un país más violento de lo que es en realidad.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ REMERI Red Mexicana ...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ REMERI Red Mexicana ...arrow_drop_down
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    Authors: Reyes-sosa, Hiram; Larrañaga-egilegor, Maider; Valencia-garate, José;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio della ricer...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio della ricer...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Torrero, Mariana Paula;

    Fil: Torrero, Mariana Paula. Universidad de Buenos Aires. Facultad de Ciencias Económicas

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
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    Authors: Hernandez Turegano, Liliana;
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    Authors: Hurtado Galeano, Deicy Patricia; Tabares Ochoa, Catalina María;

    RESUMEN: Parece ser ya un rasgo normal del sistema político colombiano que sus actores protagónicos —gobernantes, congresistas, miembros de partidos políticos y élites económicas— tejan imbricadas relaciones con las distintas mafias, entre ellas las contra-estatales y las paraestatales, que controlan no sólo el negocio de las drogas y las armas, sino el de las mercancías que inundan los mercados formales e informales de nuestras ciudades, los juegos de azar y contratos de prestación de servicios de muy diversa índole, entre los cuales el del transporte es el más evidente, pero no el único. Tanto se han normalizado este tipo de relaciones, que gran parte de los colombianos ha asumido que “así funciona la política”, aunque otros se sienten hastiados con las innumerables piezas periodísticas sobre la “Yidis-política” y las notarías, sobre las visitas indebidas de emisarios de la mafia al Palacio de Nariño, sobre las relaciones de un jefe seccional de fiscalía con la mafia, sobre los dineros de Agro Ingreso Seguro para financiar proyectos de personajes procesados por su vinculación con negocios ilícitos, sobre los crípticos sistemas de contratación entre Estado y empresas privadas. Y se sienten hastiados, no precisamente porque lo consideren repugnante o inmoral; bien lo expresó una vez un ciudadano de a pie cuando dijo: “hasta la sopa del almuerzo los noticieros nos condimentan con una historia que sabemos hace tiempo: que los gobernantes y los políticos están untados hasta el tuétano con los negocios de la mafia”, y agregaba: “¿y nos van a seguir martillando con el asunto?”

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    Authors: Estrada Vila, Maria Cecilia;
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    MiCISAN
    Master thesis . 2004
    License: CC BY NC ND
    Data sources: MiCISAN
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      MiCISAN
      Master thesis . 2004
      License: CC BY NC ND
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    Authors: Orrego Arismendi, Juan Carlos;
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    Authors: Gómez-Rodríguez, Julia V.;

    Esta investigación tiene como centro a las víctimas de muerte violenta o ejecución como consecuencia de la guerra contra el narcotráfico en México. En específico está enfocada en el análisis de la forma en que se ha representado la violencia de la ejecución en crónicas periodísticas recopiladas en libros y publicadas entre 2007 y 2017. Lo anterior se inserta en el marco de los estudios que abordan el periodismo mexicano y las implicaciones de reportar la guerra y sus víctimas. La perspectiva teórica de esta investigación parte de la propuesta de Raymond Williams (2006, 2009 & 2011), que da cuenta de los procesos comunicativos y culturales de creación de realidad por medio de formas culturales creadas por periodistas, que de acuerdo con la propuesta de Barbie Zelizer (1993), forman comunidades interpretativas que comparten discursos y textos que dan forma a eventos clave en el mundo. Por último, se toma la propuesta de Judith Butler (2006, 2009 & 2010), sobre la violencia que deviene de la vulnerabilidad ante la representación de las víctimas, a partir de marcos narrativos que otorgan o niegan su humanidad. Metodológicamente, se presenta un análisis narrativo que, a la luz del marco teórico, combina las propuestas de Kitch (2003 & 2007) y Foss (2017). Como resultado se plantea una transformación en la representación de la violencia de las ejecuciones con la propuesta y descripción de cuatro etapas que caracterizan las narrativas en las crónicas entre 2007 y 2017. Consejo Nacional de Ciencia y Tecnología

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    Authors: Salazar Sánchez, Karla; Madrigal Herrera, Magdalena;

    Ponencia presentada como investigación base para el SEXTO NFORME ESTADO DE LA REGION EN DESARROLLO HUMANO SOSTENIBLE (2021) Capítulo 11: Dinámicas territoriales de la violencia homicida

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    Authors: Atehortúa Cruz, Adolfo León; Rojas Rivera, Diana Marcela;

    El contenido del presente artículo cubre las primeras décadas del tráfico ilícito de drogas emprendido desde Colombia hacia Estados Unidos. Su singularidad estriba en el análisis de los mecanismos empleados por los actores en examen (los pioneros y los grandes capos), para responder a los desafíos planteados por su actividad ilícita y a la persecución en contra de ella.

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    Authors: Prado-Pérez, Ruth E.;

    En el contexto de inseguridad y violencia que trajo consigo la guerra contra el narcotráfico comenzada por el ex presidente Felipe Calderón a inicios del 2006, los medios no se han limitado a informar ni a ser una vía de comunicación entre las partes involucradas, sino que, en su interacción, han jugado un papel en el conflicto mismo. Este artículo explora cómo ha sido la relación de los medios con los actores del conflicto en México y se cuestiona sobre si hubo una cobertura desproporcionada de la violencia y esto creó la imagen de un país más violento de lo que es en realidad.

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